Welcome, I’m Vincenzo Greco — Artist and friend of art.
I have always believed that art is a bridge between people: a way to share emotions, beauty, and dreams.
This is why I love guiding anyone who wishes to create a unique artwork capable of telling their own story.
With experience, attentive listening, and creativity, I help you transform an idea into a concrete artistic project — with no obligation and with free consultation.
Every one of my works is born from dialogue, from the desire to understand who is in front of me, and from the need to give shape — with my hands and my heart — to something meant to last over time.
My Art
Since 1990, I have dedicated myself with passion to sculpture, stained glass, mosaic, and painting.
My artisanal background allows me to blend technique, emotion, and aesthetic research to create artworks that bring harmony and meaning to the spaces they inhabit.
My Commitment
Every artwork is guaranteed for life and delivered to your home free of charge.
I offer you a direct and sincere relationship — like that between friends who share the same passion for beauty.
📞 347 704 3345 WhatsApp
Contact me with confidence to learn more about my work or to request a free quote.
I will be happy to listen to your idea and imagine its shape together.
My Values
✨ Availability – I guide you step by step
🎨 Creativity – Every artwork is one of a kind
🤝 Courtesy and reliability – Respect and professionalism at every stage
⏰ Punctuality – Quality should never have to wait
Biography
My artistic journey began in the late 1980s.
After a period of research on materials, I developed a painting-sculpture style close to hyperrealism, later expanding my interest toward experimental art and visual poetry.
In Venice, I learned the ancient techniques of stained glass, glass fusion, and figurative mosaic.
Since 1990, I have participated in art fairs and exhibitions both in Italy and abroad, with more than fifty solo shows and numerous group exhibitions.
Today, I continue to create and collaborate with Italian institutions and municipalities, bringing art to public and private spaces where it can speak to people and endure over time.
My Curriculum – Vincenzo Greco
My artistic journey is a long path made of creation, dedication, public works, exhibitions, international encounters, and moments that have shaped both my hands and my vision. Every year has left its mark on me, and every work has carried a part of my soul into the world.
In 2025, in Castrofilippo, Sicily, I created a large steel and glass-mosaic installation placed at the heart of the city. It depicts a symbolic onion and a man in the fetal position — an image of rebirth that speaks of origins, layers, memory, and new beginnings. In the same year, in Camastra, I realized six panels in mosaic and Corten steel, each one revisiting fragments of the old town through a contemporary lens.
In 2024, in Agrigento, I received an official recognition from Teatro Pirandello, and in Canicattì I restored and rebuilt the monument “Monoliti di Legalità,” dedicated to Judges Antonino Saetta and Rosario Livatino — a testimony of justice, courage, and Sicilian dignity.
In 2023, I received appreciation from the Italian art critic Vittorio Sgarbi, who published my artwork dedicated to Giuseppe Tomasi di Lampedusa (The Leopard) on his official Facebook pages. In the same period, I presented my traveling painting exhibition “Vernice Mentale” in Caccamo Castle, in Palermo, and in my hometown of Canicattì.
In 2022, in Palermo, I continued the “Vernice Mentale” tour, and in Palma di Montechiaro I inaugurated a monument in Carrara marble dedicated to Giovanni Battista Odierna, a scientist and astronomer of extraordinary vision.
In 2021, in Cossano Belbo (Piedmont), I created a vast mosaic floor, commissioned by Mayor Mauro Noè and financed by the Martini Liquori company. In Palma di Montechiaro I sculpted three Carrara-marble monuments dedicated to the Tomasi family — Dukes and Princes of Lampedusa — and exhibited a painting collection inside the Ducal Palace. In Cattolica Eraclea I created a large sacred mosaic for the cathedral.
In 2020, like many artists, I paused my creative activity during the global pandemic. Even in silence, inspiration continued to breathe.
In 2019, I traveled to the United States. I exhibited at Art Basel Miami Beach (December 4–8), one of the most important international contemporary art fairs, where I was interviewed by American TV networks. In New York, I met with galleries and interior design studios to present my work.
In 2018, in Nürnberg, Germany, I received recognition from ADAC: my mosaics were officially acknowledged as Italian excellence and included in an art itinerary dedicated to Sicily. In Frosinone and Rome, I created mosaics for angels and two stained-glass windows — the Risen Christ and the Virgin of Sorrows — and I designed the inner cupola decorated with Fibonacci-sequence stars. In Calabria, I created a mosaic for Distilleria Caffo (Amaro del Capo). In Lagos, Nigeria, I realized fifty square meters of stained-glass windows for a cathedral, including a great Christ Pantocrator. In Subiaco, near Rome, I created a Byzantine-style Last Supper stained-glass window. In Torretta Carini, I presented an exhibition dedicated to Evita Perón.
In 2017, in Lucca, I joined the conference-exhibition on the Shroud of Turin. In Bergamo, I created an enormous mosaic for the European Union in the church of Montello, depicting all the saints of Europe. In Caserta, I crafted a gold and Murano-glass mosaic for a baptismal font. In Rome, I was interviewed on the TV2000 program “Bel tempo si spera.”
In 2016, in Canicattì, I completed a Via Crucis composed of fifteen ceramic hand-painted panels, inaugurated by Cardinal Francesco Montenegro. In Palmi, Calabria, I created a stained-glass window representing the Madonna del Carmelo.
In 2015, in Canicattì, I restored the historic Capuchin Convent with new color studies, stained-glass windows, and a five-meter San Damiano Crucifix. I also presented an in-depth study on the “Monoliti di Legalità” artwork to a delegation from Hadeland Glassverk Oslo.
In 2014, in Lagos (Nigeria), I created stained-glass artworks for the Anglican Church. In Carini, near Palermo, I presented a solo exhibition on Evita Perón, sponsored by the Venezuelan Embassy. Diplomats and cultural figures attended.
In 2013, in Palermo, I participated in a collective exhibition at Villa Niscemi dedicated to Maria Carolina of Austria, in the presence of Mayor Leoluca Orlando and the Austrian Consul. In Calabria, I created a 14-square-meter contemporary mosaic for the Sanctuary of Madonna di Lourdes and continued my research on the Golden Ratio within mosaic art. In Agrigento, I sculpted a life-size figure of the Man of the Shroud, perfectly faithful to the original relic. In Milan, I collaborated with Dolce & Gabbana for their Spring/Summer 2013 collection, creating mosaics for their fashion line.
In 2012, in Canicattì, I created the “Monoliti di Legalità” monument in memory of Judges Saetta and Livatino.
In 2011, in Milan, I created a mosaic artwork for the chapel of St. Ambrose in the Catholic University.
In 2010, in Palermo, I took part in “Le vie della legalità” at Villa Filangeri, receiving recognition from President Giorgio Napolitano. I also joined the International Visual Art Suite Festival in Piazza Armerina.
In 2008, I participated in several collective exhibitions in Abano Terme, Alessandria, Bologna, Turin, and Milan, including events dedicated to poetry, women’s rights, and contemporary art.
In 2005, I exhibited in Genoa’s Palazzo Ducale, Imola, Pietrasanta, Bari, and Canicattì. I also took part in a European Parliament exhibition in Brussels and two important curated shows in Genoa.
In 2004, I participated in exhibitions in Varese, Livorno, Alessandria, and Bari. In Venice, at Palazzo delle Prigioni, I presented artworks during a major art vernissage and was interviewed by Ferruccio Gard (RAI 3). I also joined an exhibition for the Day of Remembrance in Castel San Pietro Terme.
In 2003, I exhibited at Arte Fiera Bologna and at Palazzo delle Stelline in Milan, and I participated in exhibitions in Rome, Venice (as part of the Extra Section of the Venice Biennale), Ravenna, Bagnacavallo, and Castel San Pietro Terme, where I created the public sculpture “La Sagoma.”
In 2002, I exhibited in Paris at the Centre National de la Recherche, exploring the dialogue between words and images.
In 2001, I participated in the “Vitrum” fair in Milan and a curated collective exhibition in Caltanissetta.
In 2000, I traveled to the United States to exhibit at the Buffalo Science Museum in New York.
In 1999, I took part in a traveling exhibition across Agrigento, Palermo, Rome, and Bologna during the Giro d’Italia. My works were acquired by the Regional Province of Agrigento.
In 1998, I exhibited at the “Macef” fair in Milan and presented works in Tokyo with the Japanese Cultural Association directed by Nobie Seino, promoting Japanese culture in Italy.
In 1995, I participated in Arte Fiera Bologna.
In 1993, I exhibited at the Mediterranean Fair in Palermo.
In 1992, in Cefalù, I joined the international live-painting event “One Kilometer of Canvas,” promoted by Antonio Presti; my work was published in the “Speciale 7” insert of Corriere della Sera. In Taormina, I earned third place in the Kiwanis sculpture award.
Documentation and References
Images, videos, and detailed information about the artworks are available at the following links:
TESTIMONIALS
What people say about me
“Vincenzo Greco employs an experimental technique, a method rarely seen today. This approach reveals a profound world, just beneath the surface, floating atop the golden texture of the material. Only a few colors are used to transform the Sand of the Valley of the Temples into true art. His artworks and mosaics are genuinely stunning!”
Vittorio Sgarbi
Italian Politician
“If memory serves me right, my first encounter with Mr. Vincenzo took place in 1998. Our relationship has since developed, helped in large part by the fact that we both share a deep passion for the same art. I was responsible for organizing several exhibitions of his works in Tokyo and Osaka.
Vincenzo Greco is both a hands-on artist and a true theoretician. He never compromises and is extremely dedicated in his research — a determination that sometimes works to his disadvantage. Yet, I cannot help but admire his extensive knowledge across multiple disciplines.
His creative approach and devotion to traditional methods are clearly reflected in his recent, remarkable series of works. I feel a profound sense of emotion in witnessing the publication of a book featuring his artworks, marking the completion of his one-hundredth piece.
I would like to conclude by expressing my sincere hope that he continues to pursue this art form in the years to come.”
Nobie Seino
President of Museum of Art (Tokyo)
“The Lights and Shadows series evokes a world of infinity, dreams, and imagination. The faces, the moon, the shells, and the leaves create the impression that it is the wind of silence itself that is blowing.”
Noriaki di Seo
Curator of Museum of Art (Tokyo)
